{"id":303,"date":"2017-09-20T08:33:52","date_gmt":"2017-09-20T08:33:52","guid":{"rendered":"http:\/\/spblit.org\/wp-eng\/?p=303"},"modified":"2017-09-20T08:33:52","modified_gmt":"2017-09-20T08:33:52","slug":"slava-yanakieva","status":"publish","type":"post","link":"http:\/\/spblit.org\/wp-eng\/?p=303","title":{"rendered":"Slava Yanakieva"},"content":{"rendered":"<p><strong><a href=\"http:\/\/spblit.org\/wp-eng\/wp-content\/uploads\/2017\/09\/Slava-IMG_20170919_212042small2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-304 alignleft\" src=\"http:\/\/spblit.org\/wp-eng\/wp-content\/uploads\/2017\/09\/Slava-IMG_20170919_212042small2-224x300.jpg\" alt width=\"224\" height=\"300\" srcset=\"http:\/\/spblit.org\/wp-eng\/wp-content\/uploads\/2017\/09\/Slava-IMG_20170919_212042small2-224x300.jpg 224w, http:\/\/spblit.org\/wp-eng\/wp-content\/uploads\/2017\/09\/Slava-IMG_20170919_212042small2.jpg 269w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\"><\/a>Work\u00ading lan\u00adguages<\/strong>: Eng\u00adlish, Rus\u00adsi\u00adan<\/p>\n<p><strong>Field of work<\/strong>: Medi\u00adev\u00adal Drama, Visu\u00adal Arts, Social Stud\u00adies, Theo\u00adlogy.<\/p>\n<p><strong>Short bio\u00adgraphy<\/strong>: Slava Yana\u00adkieva is an aca\u00addem\u00adic research\u00ader in Cul\u00adtur\u00adal Stud\u00adies. She is a&nbsp;part-time lec\u00adturer at the&nbsp;St Kli\u00adment Ohrid\u00adski&nbsp;Uni\u00adver\u00adsity of Sofia (Depart\u00adment of Cul\u00adtur\u00adal Stud\u00adies) since 2000 and at the Nation\u00adal Academy of Art (Depart\u00adment of Sceno\u00adgraphy) since 2016. She holds a&nbsp;PhD from the Uni\u00adver\u00adsity of Sofia for her dis\u00adser\u00adta\u00adtion on&nbsp; <em>Top\u00adics of Sac\u00adred\u00adness in Cine\u00adma\u00adto\u00adgraphy<\/em>. Dr. Yana\u00adkieva is a&nbsp;full mem\u00adber of the <em>Insti\u00adtute of Medi\u00adev\u00adal Philo\u00adsophy and Cul\u00adture, the Byz\u00adan\u00adti\u00adum Work\u00ading Group, the Uni\u00adon of Bul\u00adgari\u00adan Act\u00adors (Guild of Theatre Crit\u00adics), the Uni\u00adon of Bul\u00adgari\u00adan Film Makers<\/em> <em>(Guild of Film Crit\u00adics)<\/em>. She is a&nbsp;co-author of two read\u00aders in Medi\u00adev\u00adal Visu\u00adal Cul\u00adture and author of many art\u00adicles and book chapters on Medi\u00adev\u00adal Visu\u00adal and Fest\u00adive Cul\u00adture as well as on Reli\u00adgious Cinema.<\/p>\n<p><strong>Selec\u00adted trans\u00adla\u00adtions<\/strong>:<\/p>\n<ul>\n<li>Ziz\u00adioulas, Jean, <em>Being as Com\u00admu\u00adnion: Stud\u00adies in Per\u00adson\u00adhood and the Church<\/em> (St. Vladimir\u2019s Sem\u00adin\u00adary Press, 1985) \/ \u0418\u043e\u0430\u043d \u0414. \u0417\u0438\u0437\u0438\u0443\u043b\u0430\u0441, <em>\u0411\u0438\u0442\u0438\u0435\u0442\u043e \u043a\u0430\u0442\u043e \u043e\u0431\u0449\u0435\u043d\u0438\u0435<\/em>, \u0424\u043e\u043d\u0434\u0430\u0446\u0438\u044f \u201e\u041a\u043e\u043c\u0443\u043d\u0438\u0442\u0430\u0441\u201d, \u0421\u043e\u0444\u0438\u044f, 2013<\/li>\n<li>Kan\u00adtorow\u00adicz, Ernst Hartwig, <em>The <\/em><em>King\u2019<\/em><em>s <\/em><em>Two <\/em><em>Bod\u00adies: <\/em><em>A&nbsp;<\/em><em>Study <\/em><em>in <\/em><em>Medi\u00adaev\u00adal <\/em><em>Polit\u00adic\u00adal <\/em><em>Theo\u00adlogy<\/em> (Prin\u00adceton Uni\u00adver\u00adsity Press, 1997) \/ \u0415\u0440\u043d\u0441\u0442 \u041a\u0430\u043d\u0442\u043e\u0440\u043e\u0432\u0438\u0446, <em>\u0414\u0432\u0435\u0442\u0435 \u0442\u0435\u043b\u0430 \u043d\u0430 \u043a\u0440\u0430\u043b\u044f. \u0418\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435 \u043d\u0430 \u0421\u0440\u0435\u0434\u043d\u043e\u0432\u0435\u043a\u043e\u0432\u043d\u043e\u0442\u043e \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u043e \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u0435<\/em>), \u0418\u041a \u201c\u041b\u0438\u043a\u201d, \u0421\u043e\u0444\u0438\u044f, 2004<\/li>\n<li>Arch\u00adbish\u00adop Kal\u00adlis\u00adtos Ware, <em>The <\/em><em>Mys\u00adtery of <\/em><em>Per\u00adson\u00adhood. <\/em><em>Essays<\/em> <em>on<\/em> <em>Hesychasm<\/em>, 2002. \/ \u0410\u0440\u0445\u0438\u0435\u043f\u0438\u0441\u043a\u043e\u043f \u041a\u0430\u043b\u0438\u0441\u0442\u043e\u0441 (\u0423\u0435\u044a\u0440<em>), \u0422\u0430\u0439\u043d\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0447\u043e\u0432\u0435\u0448\u043a\u0430\u0442\u0430 \u043b\u0438\u0447\u043d\u043e\u0441\u0442. \u0418\u0441\u0438\u0445\u0430\u0441\u0442\u043a\u0438 \u0441\u0442\u0443\u0434\u0438\u0438, \u041b\u0438\u043a, <\/em>\u0421\u043e\u0444\u0438\u044f, 2002<\/li>\n<li>Florovsky, Georges, <em>The Byz\u00adantine Fath\u00aders of the Sixth to Eighth Cen\u00adtury,<\/em> 2000 \/ \u0413\u0435\u043e\u0440\u0433\u0438\u0439 \u0424\u043b\u043e\u0440\u043e\u0432\u0441\u043a\u0438, <em>\u0412\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u0438\u0442\u0435 \u043e\u0442\u0446\u0438. V\u2011V\u0406\u0406\u0406 \u0432\u0435\u043a., <\/em>\u0422\u0430\u0432\u043e\u0440, \u0421\u043e\u0444\u0438\u044f, 2000<\/li>\n<li>Florovsky, Georges<em>, <\/em><em>The <\/em><em>East\u00adern <\/em><em>Fath\u00aders <\/em><em>of <\/em><em>the <\/em><em>Fourth <\/em><em>Cen\u00adtury, <\/em>1999 <em>\/ <\/em>\u0413\u0435\u043e\u0440\u0433\u0438\u0439 \u0424\u043b\u043e\u0440\u043e\u0432\u0441\u043a\u0438, <em>\u0418\u0437\u0442\u043e\u0447\u043d\u0438\u0442\u0435 \u043e\u0442\u0446\u0438 \u043e\u0442 \u0406V \u0432\u0435\u043a.<\/em>\u0422\u0430\u0432\u043e\u0440,\u0421\u043e\u0444\u0438\u044f<em>, 1999<\/em><\/li>\n<\/ul>\n<p><strong>Con\u00adtact<\/strong>: e\u2011mail: <a href=\"mailto:slava.yanakieva@gmail.com\">slava.yanakieva@gmail.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Work\u00ading lan\u00adguages: Eng\u00adlish, Rus\u00adsi\u00adan Field of work: Medi\u00adev\u00adal Drama, Visu\u00adal Arts, Social Stud\u00adies, Theo\u00adlogy. Short bio\u00adgraphy: Slava Yana\u00adkieva is an aca\u00addem\u00adic research\u00ader in Cul\u00adtur\u00adal Stud\u00adies. She is a&nbsp;part-time lec\u00adturer at the&nbsp;St Kli\u00adment Ohrid\u00adski&nbsp;Uni\u00adver\u00adsity of Sofia (Depart\u00adment of Cul\u00adtur\u00adal Stud\u00adies) since 2000 and at the Nation\u00adal Academy of Art (Depart\u00adment of Sceno\u00adgraphy) since 2016. She holds [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-303","post","type-post","status-publish","format-standard","hentry","category-members"],"_links":{"self":[{"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/posts\/303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=303"}],"version-history":[{"count":1,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/posts\/303\/revisions"}],"predecessor-version":[{"id":305,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=\/wp\/v2\/posts\/303\/revisions\/305"}],"wp:attachment":[{"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/spblit.org\/wp-eng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}